Wednesday, March 20, 2013

METAL MUSIC


Heavy Metal era

Name Heavy metal band conceived by Hard Rock Year 60'an Steppenwolf, in their song "Born To Be Wild '(in the second line of the second verse:" I like smoke and lightning Heavy metal thunder Racin' with the wind And the feelin 'that I'm under. ")
But the term was not used properly until in 1970, when Black Sabbath released their album debut album entitled 'Black Sabbath'.
From the 1960's or could be called Blues Rock like Led Zeppelin, AC / DC and the surrounding metal Classic 60s to 70's or so-called Classic Rock as Black Sabbath, Blue Oyster Cult, Deep Purple, Alice Cooper. The music is controlled by a more bluesy riffs.


Evolution of music

70's

Early 70's Heavy Metal fronted by bands such as Led Zepplin, Black Sabbath, and Deep Purple, Heavy Metal era is still influenced by the strong blues element. Judas Priest develop this genre to eliminate elements of blues and rely more distortion, beat faster, and harmony. In the late 70's comes the New Wave British Heavy Metal oF pioneered Motorhead, NWOBHM combines Punk and Heavy Metal. Other NWOBHM bands are Iron Maiden, Saxon, Venom, Diamond Head, etc..


Early '80s

In the early '80s era gawangi NWOBAM by bands like Motorhead, Iron Maiden, Venom and Diamond Head. Heavy Metal finally collide dengen this raises Pop music genre called Glam Metal, Glam Metal broke through charts on board, this causes more Heavy Metal spreading rapidly around the world


Metal Underground: 1980, 1990, and 2000-an

Thrash metal and speed metal

Very fast tempo songs carried by the guitarist who plays rhythm guitar downstroke on Thrash metal by bands like Metallica, Megadeth, Slayer and Anthrax were dubbed the Big Four Of Thrash. In San Francisco there Testament and Exodus, in New Jersey there Overkill, and Sepultura from Brazil.
While the faster speed metal played very, very fast and powerful as Motörhead (of late), Iron Angel, Anthrax. While Thrash metal music from Europe was like, Kreator and Destruction, both from Germany.

Death metal

In 1990'an, underground is more like entering into Extreme Grindcore metal pioneered by Napalm Death and Brutal Truth, developed in 1991 by a Scandinavian death metal Entombed, Dismember, Unleashed, and At The Gates.
Melodic Death metal from Gothenburg Sweden and developed in Finland and Norway by bands like Arch Enemy, Dark Tranquillity, Disessction.
Then there is the term used is, Techical metal in pioniri by Cynic, Atheist, Meshuggah, Death. Chuck Schuldiner (Death Vocalis) is the 'Father of Death Metal'
Progressive Death metal may be more inclined to use a lot of visualization and traditional music, pioneering is Opeth, Pestilence, Death, Novembre, and Progressive metal by Dream Theater, Queensryche and Fates Warning.

Black metal

This flow appears around the early and mid-1980s, initiated by rock bands such as Venom, Hellhammer, Celtic Frost and Bathory. In the late 80's the band Mayhem and Burzum lead into the second wave of black metal.

Power metal

Power Metal is a genre that is more vibrant and vocalist genre is mostly influenced by Rob Halford and Bruce Dickinson. Bands of this genre mostly from Europe. For example, Europe (Sweden), Iron Maiden (UK), Helloween (Germany).

Doom Metal and Gothic metal

Doom Metal is a stream that is more emphasis on the lyrics, the tempo of which is below the average Extreme Metal subgenre others, is inspired by the flow of the first era Black Sabbath, a band that included this flow example is Saint Vitus, Obsessed and Candlemass.
Gothic Doom Metal Metal is the evolution, the beginning of this genre is the emergence of bands Death / Doom of English is My Dying Bride, Paradise Lost, ANATHEMA, Gothic Metal band now are relying on vocal harmony between men and women (sometimes with a growl).

90s

In the era of 90s heavy metal music started rocked by the emergence of particular strength Grunge Alternative Rock, Glam Metal bands in the '80s era of declining popularity, publications such as mentitik emphasis on Grunge. Meanwhile, bands like Metallica, Pantera, Tool, White Zombie and Megadeth spearheaded the presence of metal music at that time.

Alternative metal

Alternative metal is one of the most popular metal subgenres in the early 90s. when the popularity of Glam Metal Grunge began to sink due to the emergence in the late 80s. Alternative Metal used to describe bands like Faith No More, Primus, Rage Against The Machine and Jane's Addiction are mengfusikan Heavy Metal and Alternative Rock.
In addition there were initiated Industrial metal bands such as Ministry, Godflesh, Fear Factory and Marilyn Manson. Industrial metals are also growing rapidly in Germany. bands like Rammstein, Oomph!, Megaherz high enough to gain popularity both in his home country as well as the plains of Europe.
Then there's Punk Crossover Thrash Metal or Metal Trash is mixing with the element-element thick of Hardcore Punk. Suicidal Tendecies, Stromtroopers of Death, Corrosion of Conformity and Dirty Rotten Imbeciles are some bands that carry the genre.
Then there is Groove Metal, is the evolution of the genre Trash Metal genre that emerged in early 90s was fronted by Pantera, Sepultura, White Zombie, etc..
Nu metal, alternative metal genre that last play was a modern metal tone Industrial. Many bands Korn, Slipknot, Limp Bizkit, Deftones to Disturbed.

Grunge

In the 1990s, when the first outbreak of Grunge music is a mixture between heavy metal and thick-Punk Post Hardcore even popping up in Seattle, although a little inclined to Alternative rock. Grunge band from Seattle, such as Nirvana, Soundgarden, Pearl Jam, and Alice in Chains before grunge band that was actually there by bands like Malfunkshun and Green River after it was Temple of the Dog Mad Season, Mudhoney until Melvins. After the death of Kurt Cobain Grunge music and rarely came back inspired by bands like Skin Yard and PJ Harvey. If a band plays music but the band was not Grunge taste of Seattle. Grunge is not a name used, but the Post-Grunge such as L7, Stone Temple Pilots, Paw, Hole.


Recent developments

2000'an Metal era (now) have a considerable difference, in the sense that the metal can fuse with a variety of flow. As is well known pioneers of metal music, metal music lovers treated to a whole range of metal with a harmonic tempo and dynamic. Some of the flow that is Nu Metal, Symphonic Metal, deathcore, Metalcore, Melodic Death Metal, Folk Metal, and so on.

Folk Metal

Folk Metal is a fusion of heavy metal with folk music (folk music), the flow is fronted by bands sepertik Korpiklaani, Skyclad, Ensiferum, Fiintroll, Turisas, etc..
Although most music Folk Metal more developed in Scandinavia, Folk Metal is also expanding in the Middle East are like Orphaned Land and Melechesh.

Melodic Death Metal

Melodic Death Metal itself is growing rapidly in Scandinavia, particularly Gothenburg. Bands such as In Flames, At The Gates, Dark Tranquillity, Arch Enemy and Soilwork. In addition to the Scandinavian Melodic Death Metal is also growing in the region, such as Children of Bodom, Kalmah and Norther (Finland), The Black Dahlia Murder, Darkest Hour and himsa (United States), Switchblade, Daysend, Infernal Method (Australia), Disarmonia Mundi ( Italy), Blood Stain Child (Japan) and Death Scythe (Mexico).

Deathcore

Deathcore developed as a derivative of Death Metal with lyrics that just typical death metal, which is about death, hell, Satan, and the mystical nuances. Most of Death Metal are atheists, while deathcore mostly agnostic people.
Originally pioneered by bands like Dying Fetus, Suffocation, Crytopsy, etc.. In an era of increasingly 2000'an deathcore bands are popping up like Job For A Cowboy, The Red Chord, All Shall Perish, Bring Me the Horizon, etc..
Deathcore itself tends upbeat, almost like old school metal flow that is devastating but there is grip-grip melodian.

New Wave of American Heavy Metal

New Wave of American Heavy Metal (or so-called metalcore) is a combination of Extreme Hardcore. This genre came later in the era of the mid-90s. New Wave of American Heavy Metal influenced by bands such as Machine Head, Pantera and Biohazard.
Music metalcore has a typical form of the guitar stem the drop D to C, sometimes full scream. Typically, metalcore in terms of rhythmic guitar but not as complex death metal metalcore bands bermelodi mostly rock and complicated. If not bermelodi, usually ritmiknya complex. But the tunes do not like death metal metalcore nuances of sinister, devil, hell, and so on.
Metalcore bands such as Avenged Sevenfold, Lamb of God, Killswitch Engage, All That Remains, Darkest Hour, God forbid, Shadows Fall, Trivium, Haste The Day, Walls Of Jericho, Unearth, Bullet For My Valentine, and so

Mathcore

Mathcore metalcore is the development of a complex that has a rhythm and have a high progressivitas. Mathcore bands influenced many bands such as Converge, Neurosis, Isis, and The Dillinger Escape Plan. Mathcore bands that have recently reaped popularity is Protest The Hero, The Human Abstract, etc..




Metal Developments in Indonesia

Embryo born underground rock music scene in Indonesia is difficult to remove from the evolution of pioneer rocker-rocker as a 70s-era predecessors. Call it like God Bless, Gang Pegangsaan, Gypsy (Jakarta), Giant Step, Super Kid (Bandung), Terncem (Solo), AKA / SAS (Surabaya), Bentoel (Malang) to rawe Rontek of Banten. They are the first generation of rockers Indonesia.
The term itself is already used underground current magazine since the early era of the '70s. The term is used music and lifestyle magazine pioneer from Bandung was to identify the bands that play loud music in a more wild .. 'and .. extreme' for the size of his era. And to be honest, the songs played by the bands mentioned above are not the work of their own songs, but to the foreign bands kind of Deep Purple, Jefferson Airplane, Black Sabbath, Genesis, Led Zeppelin, Kansas, Rolling Stones, to ELP. This counterproductive tradition that made history
his name had on the national stage. Call it like El Pamas, Grass Rock (Malang), Power Metal (Surabaya), Adi Metal Rock (Solo), Val Halla (Medan), until Roxx (Jakarta). Also log too, which led to the birth of the first rock record label in Indonesia, Logiss Records. The first product label is the third album God Bless, "Ant Black" was released in 1988 and sold up to 400,000 records in Indonesia.

Towards the end of the '80s, around the world at that time young people are experiencing fever thrash metal music. A development of the musical style that is more extremes more than heavy metal. Bands that became his gods such as Slayer, Metallica, Exodus, Megadeth, Kreator, Sodom, Anthrax, Sepultura up. Most large cities in Indonesia such as Jakarta, Bandung, Yogyakarta, Surabaya, Malang to Bali, scene undergroundnya first born of the extreme music genre. In Jakarta alone metal community first appeared in public in early 1988. Community child metal (the term was not yet popular underground) was used to hang out at the Pid Pub, a small pub in the shopping area Pondok Indah, South Jakarta.
According to Krishna J. Sadrach, frontman Sucker Head, besides hanging out, kids who hang out there by Aunt Esther, owner Pid Pub, given the opportunity to get a gig there. Every night of the week there is usually always a live show of the new bands in the Pid Pub and most bands that carry the rock or metal music.
Bands who often hangs out at the scene Pid Pub, among others Roxx (Metallica & Anthrax), Sucker Head (Education & Sepultura), Commotion Of Resources (Exodus), painfull Death, Rotor (Author), Razzle (GN'R) , husky (DRI and MOD), Undertakers, Mortus to Alien Scream (Obituary).
Some of the bands on the next trip that splitting into many new bands. Commotion Of Resources was the forerunner sap gothic metal band, while the rough is old embryo death metal band Alien Scream. Additionally Oddie, painfull Death vocalist subsequently form Sic Mynded industrial group in the United States with Rudi Soedjarwo (director, What's With Love?). The rotor itself was formed in 1992 after guitarist cabutnya Sucker Head, Irvan Sembiring Sucker Head feels the concept of music was still less extreme for him.


Berkonsernya two international metal supergroup in Indonesia, Sepultura (1992) and Metallica (1993) gives considerable contribution to the development of a type of metal bands in Indonesia. Not long after Sepultura successful "burn" the Jakarta and Surabaya, speed metal band Roxx released self-titled debut album under the label they Blackboard. This cassette album would be one of the Indonesian classic speed metal album of the 90s era. The same thing is also experienced by the rotor. Metallica phenomenally successful opening concert for two consecutive days at the Lebak Bulus Stadium, rotor and then thrash metal release of the first major label in Indonesia, Behind The 8th Ball (AIRO). Capitalize recommendation from Metallica's tour manager and honors the 30 million dollars twice a Metallica concert opening, the rotor personnel (minus drummer Bakkar Bufthaim) exodus to the land of Uncle Sam to speculate. Sucker Head himself recorded late in releasing the band's debut album than their other classmates. After the major local label, Aquarius Musikindo, just at the beginning of 1995 they released the album 'The Head Sucker'. Sucker Head Until now there were already released four albums.

Of such a long journey underground rock in the country, perhaps in the first half of the new 90-anlah started many scenes formed underground in the real sense in Indonesia. In Jakarta alone consolidation massive metal scene centered in Block M in early 1995. At that time most of the kids metal is often seen hanging out on the 6th floor game center Blok M Plaza and at a famous restaurant franchise there. Their activities other than hang out is the exchange of information about local bands and international, CD barter, buying and selling t-shirts metal to plan for organizing the concert. Some others choose to hang out in the basement of Block Mall which happened to be located underground.

In this era of massive hype metal music is loved the more extreme subgenre of death metal, brutal death metal, grindcore, black metal, to the gothic / doom metal. Some bands are more glossy name in this era is Grausig, Trauma, Aaarghhh, Skull, Delirium Tremens, Corporation of Bleeding, Adaptor, Betrayer, sadistic, Godzilla, and so on. Skull grindcore band in 1996 even as the band recorded the mini album was first released independently in Jakarta with the title 'It's A Proud To Vomit Him'. The album was recorded in a professional manner at Studio Triple M, Jakarta with sound engineer Harry Widodo (previously had handled Roxx album, Rotor, Coil, Puppen and PAS).

1996 also had recorded the birth of the first underground music fanzine in Jakarta, brainwashed zine. The first edition appeared brainwashed by displaying 24 pages and profiles Grausig cover band Trauma, Betrayer and Delirium Tremens. In the type of computer operating system based on Windows 3.1 and the lay-out cut n 'paste a traditional, brainwashed and then reproduced 100 copies with copy machines writer's own brother. In subsequent editions of this brainwashed too hardcore bands, punk and even ska. After rising to four photocopied edition, in 1997, had brainwashed printed magazine-style professional with a full color cover. Until 1999 only strong brainwashed rises to seven editions, before finally in 2000 the author initiated the e-zine format on the internet (www.bisik.com). Similar media that is more consistent rises in Jakarta include Morbid Noise zine, zine Guerrilla, Rottrevore zine, zine Cosmic and so on.

29 September 1996 marked the beginning of a new era for the development of underground rock in Jakarta. Exactly on that day indie music event held for the first time in Poster Café. The event called "Underground Session" is held every other week on a weekday evening. Café owned by legendary rocker Ahmad Albar is a lot of geeks bearing and rearing of new indie music scene that plays different music genres and more varied. The birth scene Brit / indie pop, ska explosion phenomenal era 1997 - 2000 to the historic mass brawl between the mass fraction Jakarta to Bandung happened in this place. Gum, The Brain Machine, Stepforward, Dead Pits, Bloody Gore, Straight Answers, Frontside, RU Sucks, Fudge, Jun Fan Gung Foo, Be Quiet, Bandempo, Kindergarten, RGB, Burning Inside, Sixtols, Looserz, HIV, Planet Earth, Hospital, Fable, Hairpins, Naif, Toilet Sounds, Agus Sasongko & FSOP is a small full bands performing there.

March 10, 1999 is the day of the death scene Poster Café forever. On that day for the last time music events held there (subnormal Revolution) that led to the mass riots between punk with people to effect the destruction of several cars and show his teeth in local police disperse the crowd. Poster Café dissolution even beyond expectations delivered many alternative venues for each of the indie music scene. Butterfly Café in Bulungan used ska scene, Pondok Indah Waterpark, 2000 GM Gueni café and café scene in Cikini for Brit / indie pop, parakeets De Javu Club in Menteng for gigs punk / hardcore and indie pop. Lately BB's Bar a super-narrow in Menteng often hired to show garage-rock, mellow new wave punk rock is now being hot, like The Upstairs, grin, The Brandals, C'mon Lennon, Killed By Butterfly, Sajama Cut, Devotion and much more. Among them, perhaps the most neutral and used only inter-scene Nirvana Café, located in the basement of Hotel Maharadja, South Jakarta. Precisely in this place, last January 13, 2002, Puppen finish their history in a historic concert entitled, "Puppen: Last Show Ever", a series of Bandung band's final show before it broke up ..


Indonesia Indie Era of the 2000s

How is the movement of Indonesian independent music scene of the 2000s era? The presence of Internet technologies and e-mails clearly made a major contribution to the development of this scene. Access to information and communication are wide open to create a network (networking) is increasingly widespread among communities in Indonesia. Bands and new communities are emerging with offering a wider range of musical styles. Trend indie label releasing albums vying local bands are also encouraging, at least this is a worthwhile effort to documenting the history of the decades ahead.
What is interesting now is the dominance of the use of the idiom 'indie' and not underground to define a non-mainstream music scene locally. Had been a polemic and debate klasikmengenai term indie underground in soil or water. Some see the term underground increasingly biased due to the fact the more days the more underground bands that sell-out, whether it be contracted major label, change the style of music for the sake of the business or sell the album sold tens of thousands of pieces. While some prefer to use the idiom indie because it is more elastic and, for example, more friendly for bands that did not play the style of extreme music. Although impressed more compromise, the term indie was later also increasingly being used by the national media, outpacing the term orthodox underground that was.
Amid the debate he called indie / underground, major label or indie label, hundreds of new band was born, dozens of indie labels busy to release albums, thousands of distro / clothing shop opened in Indonesia. Infrastructure non-mainstream music scene is also becoming established from day to day. They seemed no longer concerned about the polarization-major indie labels increasingly substantial. Playing music as freely as possible while having more fun to be the right choice today.

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